Summary

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Bolted Door (1914)

On the doorstep Granice stood still and laughed. Hundreds of cases like his—the case of a man who had committed a murder, who confessed his guilt, and whom no one would believe! Why, there had never been a case like it in the world. What a good figure Stell would have made in a play: the great alienist who couldn't read a man's mind any better than that!
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Bolted Door (1914)

Granice had known Robert Denver for fifteen years—watched his rise through all the stages of journalism to the Olympian pinnacle of the Investigator's editorial office. In the thick-set man with grizzling hair there were few traces left of the hungry-eyed young reporter who, on his way home in the small hours, used to “bob in” on Granice, while the latter sat grinding at his plays. Denver had to pass Granice's flat on the way to his own, and it became a habit, if he saw a light in the window, and Granice's shadow against the blind, to go in, smoke a pipe, and discuss the universe.
Source: Wikisource

Portrait of Edith Wharton Edith Wharton Tales of Men and Ghosts — The Bolted Door (1914)

Granice had felt a return of confidence since he had enlisted the interest of the Explorer's “smartest” reporter. If there were moments when he hardly believed his own story, there were others when it seemed impossible that every one should not believe it; and young Peter McCarren, peering, listening, questioning, jotting down notes, inspired him with an exquisite sense of security. McCarren had fastened on the case at once, “like a leech,” as he phrased it—jumped at it, thrilled to it, and settled down to “draw the last drop of fact from it, and had not let go till he had.”
Source: Wikisource

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