Summary

Portrait of Edmund Gosse Edmund Gosse Hypolympia; Or, The Gods in the Island…

Eros [turning suddenly] .
Ah! Pallas! What, you have brought that ivory box with you? Why did you burden your hands with that?
Pallas.
I snatched it from the burning palace. There is something strange at the bottom of it—something like an opal, with a violet flame in it.
[Pg 12] Eros.
Alas! we have no great need of jewels here. This shining beech-leaf is the treasure you should wear, Pallas. See, a little bough of it, bent just above the white enamel of your forehead. It will be as green as a beryl to-day, and red like copper to-morrow, and perhaps you will need no third adornment.
Source: Gutenberg

Portrait of Edmund Gosse Edmund Gosse Hypolympia; Or, The Gods in the Island…

It simply carries me back to the ancient weary round of ceaseless struggle, unending battle, incessant renascence of the sprouting heads of Hydra; to all that from which the windless Olympus was a refuge. Hope is presented—to one who has tasted it and who knows that it is futile—without reawakening, under such new conditions as we have here, any zest of adventure. The jewel of Pandora may be exhilarating to fallen immortality; it has no lustre whatever for a backsliding mortal.
Source: Gutenberg

Portrait of Edmund Gosse Edmund Gosse Hypolympia; Or, The Gods in the Island…

Circe [flinging herself over to Kronos' knees] .
Oh! Kronos, he does not drive you away! It is not he. It is our new enemies, not of our own race, that have driven us. And we are all here—Pallas, Ares, Phœbus—we are all here. You like Hermes, [Pg 29] do you not, Kronos? Well, Hermes is here, and he will amuse you.
Kronos.
I thought that Zeus had forgiven us. But never mind, never mind!
Rhea.
We are tired, Circe. And what does the new life matter to us now? The old life had run low, and we had long been prepared for mortality by the poverty of our immortality.
Source: Gutenberg

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