Summary

Portrait of Edward Bellamy Edward Bellamy Equality — Chapter VIII. The greatest wonder yet-fashion dethroned (1897)

I need not tell my readers what the great mills are in these days--lofty, airy halls, walled with beautiful designs in tiles and metal, furnished like palaces, with every convenience, the machinery running almost noiselessly, and every incident of the work that might be offensive to any sense reduced by ingenious devices to the minimum. Neither need I describe to you the princely workers in these palaces of industry, the strong and splendid men and women, with their refined and cultured faces, prosecuting with the enthusiasm of artists their self-chosen tasks of combining use and beauty.
Source: Wikisource

Portrait of Edward Bellamy Edward Bellamy Equality — Chapter VIII. The greatest wonder yet-fashion dethroned (1897)

Imagine the floor so crammed with machinery for economy of space as to allow bare room for the workers to writhe about among the flying arms and jaws of steel, a false motion meaning death or mutilation. Imagine the air space above filled, instead of air, with a mixture of stenches of oil and filth, unwashed human bodies, and foul clothing. Conceive a perpetual clang and clash of machinery like the screech of a tornado.
Source: Wikisource

Portrait of Edward Bellamy Edward Bellamy Equality — Chapter VIII. The greatest wonder yet-fashion dethroned (1897)

The artists were the enemies of fashion, as indeed all sensible people were, but resistance was in vain. Do you know, if I were to return to the nineteenth century, there is perhaps nothing else I could tell my contemporaries of the changes you have made that would so deeply impress them as the information that you had broken the scepter of fashion, that there were no longer any arbitrary standards in dress recognized, and that no style had any other vogue that might be given it by individual recognition of its merits.
Source: Wikisource

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