Summary

Portrait of Edward Hitchcock Edward Hitchcock The Religion of Geology and Its Connected Sciences

In order to feel the force of the argument, sustained by so many facts in geology, just picture to yourselves this vast globe as a mass of liquid fire. From such a world every thing organic must have been excluded, and every thing combustible consumed, and only such combinations of matter have existed as incandescent heat could not decompose. Compare such a world with that now teeming with life, and beauty, and glory, which we inhabit; and say, must not the transition to its present condition have demanded the exercise of infinite power, infinite wisdom, and infinite benevolence?
Source: Gutenberg

Portrait of Edward Hitchcock Edward Hitchcock The Religion of Geology and Its Connected Sciences

We do not know but it may imprint upon the world around us our features, as they are modified by various passions, and thus fill nature with daguerreotype impressions of all our actions that are performed in daylight. It may be, too, that there are tests by which nature, more skilfully than any human photographist, can bring out and fix those portraits, so that acuter senses than ours shall see them, as on a great canvas, spread over the material universe. Perhaps, too, they may never fade from that canvas, but become specimens in the great picture gallery of eternity.
Source: Gutenberg

Portrait of Edward Hitchcock Edward Hitchcock The Religion of Geology and Its Connected Sciences

It will more deeply impress us with this benevolence to remember that most of the sublime and the beautiful in the scenery of a country depends upon this disturbing agency. Beautiful as vegetable nature is, how tame is a landscape where only a dead level is covered with it, and no swelling hills, or jutting rocks, or murmuring waters, relieve the monotonous scene! And how does the interest increase with the wildness and ruggedness of the surface, and reach its maximum only where the disturbance and dislocation have been most violent!
Source: Gutenberg

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