Egerton Castle

“ Now, sword-and-buckler and long-sword play was no doubt a manly pursuit and a useful. But, as an every-day companion, the long-sword was incongruous to a fastidious cavalier; and, again, the buckler, indispensable adjunct to the broad swashing blade of home production, was hardly more suitable. In Elizabethan days it soon became obvious that the buckler was inadmissible as an item of gentlemanly attire. It was accordingly left to the body attendant; and the gallant took kindly to the fine rapier of Milanese or Toledan make. ”

“ Then came the age of the rapier, coeval with the general disuse of the buckler. There may be discerned the dawn of fencing proper, which will fully arise when, in Caroline times, the outrageous length of the tucke will at last be sufficiently reduced no longer to require the dagger as a helpmate. The third was the age of the small-sword. With its light, elegant and deadly practice we enter a new atmosphere, so to speak, on fencing ground. ”

“ The fact, however, that in earnest encounters all conventionalities which determine the value of a hit vanish, does not in any way justify the notion, prevalent among many, that a successful hit justifies any method of planting the same; and that the mere discarding of all convention in practical sword-play is sufficient to convert a bad fencer into a dangerous duellist. ”

“ There is the well-known passage in Porter’s play, The Two Angry Women of Abingdon, for instance: “Sword and buckler fight,” says a sturdy Briton (in much the same tone of disgust as a British lover of fisticuffs might now assume when talking of a French “Mounseer’s” foil play) , “begins to grow out of use. I am sorry for it. I shall never see good manhood again. If it be once gone, this poking fight with rapier and dagger will come up. Then the tall man (that is, a courageous man and a good sword-and-buckler man) will be spitted like a cat or a rabbit!” ”

“ Yet there was some justification for the belief in the existence of secrets of swordsmanship in days when, as a rule, lessons of fence were given in jealous privacy; constant practice at one particular pass, especially with the long rapier, which required a great deal of muscular strength, might render any peculiarly fierce, sudden and audacious stroke excessively dangerous to one who did not happen to have opposed that stroke before. Undoubtedly there was little in Elizabethan fencing-schools of what we understand in modern days by loose-play between the pupils ”

“ Indeed, of later days, especially since the evolution of a special “duelling play,” the two schools show a decided tendency, notwithstanding the difference in the grip of the weapons, towards a mutual assimilation of principles.
As a duelling weapon—as one, that is to say, the practice of which under the restrictive influence of conventions could become elaborated into an art—the sabre (see Sabre-fencing) returned to favour in some countries at the close of the Napoleonic wars. ”

“ Considered from the historical point of view, the modern sabre, albeit now a very distant cousin of the small-sword, is as direct a descendant as the latter itself of the old cut-and-thrust rapier. It is curious, therefore, to note that, just as the practice of the “small” or thrusting sword gave rise to two rival schools, the French and the Italian, that of the sabre or cutting sword (it can hardly be called the broadsword, the blade, for the purposes of duelling play, having been reduced to slenderest proportions) became split up into two main systems, Italian and German. ”

“ The new system, after passing through various rather extravagant phases of its own, gradually returned to the main principle of sound foil-play, but shorn of all futile conventions as to the relative values of hits. In épée play a hit is a hit, whether correctly delivered or reckless, whether intentional or the result of mere chance, and must, at the cost of much caution and patience, be guarded against. ”

“ With reference to actual duelling, it is a recognized thing that it would be the height of folly to attempt, sword in hand, the complex attacks, the full-length lunges, the neat but somewhat weak parries of the foil; so much so, that many have been led to assert that, for its ultimate practical purpose (which logically is that of duelling) , the refined art of the foil, requiring so many years of assiduous and methodical work, is next to useless. It is alleged, as a proof, that many successful duellists have happened to be indifferent performers on the fencing floor. ”

“ The proper observance of those conventions, other things being equal, distinguishes the good from the indifferent swordsman, the man who uses his head from him who rushes blindly where angels fear to tread. So much for foil-play.
In modern sword-play, on the other hand, is seen the usual tendency of arts which have reached their climax of complication to return to comparative simplicity. ”

“ The older works expounded the art of fighting generally; taught the reader a number of valuable, if not “gentlemanlike,” dodges for overcoming an adversary at all manner of weapons: now the lucubrations of fence-masters deal almost exclusively with the walking sword, that is, the duelling weapon—with the rapier in fact, both with and without its lieutenant, the dagger.
It must be remembered that at this period private duelling and cavalier quarrelsomeness amounted to a perfect mania. The fencing master was no longer merely a teacher of efficacious, if rascally, tricks ”

“ Now, for the more utilitarian purposes of duelling, the major part of the foil fencer’s special achievement and brilliancy has to be uncompromisingly sacrificed in the presence of the brutal fact that thrusts in the face, or below the waist, do count, insomuch as they may kill; that accidental hits in the arm or the leg cannot be disregarded, for they may, and generally do, put a premature stop to the bout. ”

“ By fencing, nowadays, that is by foil-play, we have come to mean not simply fighting for hits, but a strictly regulated game which, being quite conventional, does not take accidental hits into consideration at all. This game requires for its perfect display a combination of artificial circumstances, such as even floors, featherweight weapons, and an unconditional acceptance of a number of traditional conventions. ”

“ Although a great many movements which, according to modern notions, would be considered not only unnecessary but actually pernicious, still formed part of the system, it may be doubted whether, considering the character of the weapon, anything very much better could be devised, even in our present state of knowledge. ”

“ Per contra the elaboration by the devotees of the épée of a really practical system of fence, that is, one applicable to trials in earnest, has reacted upon the teaching of foil-play by the best masters of the present day—a teaching which, without ceasing to be academical up to a certain point, takes now cognisance of the necessity of defending every part of the body as sedulously as the target of the breast, and, moreover, of warding the many possibilities of chance hits in contretemps. ”

“ The point most usually lost sight of by sanguine and self-reliant scorners of conventionalities is that, although with the sword it may be comparatively easy at any time “to give,” it is by no means easy to make sure of “giving without receiving.” ”

“ The most redoubtable masters were allowed to form themselves into a company, with powers to increase their numbers with suitable and duly tried men, in imitation of the world-famed German Marxbrüder or Marcusbrüder. ”

“ Similarly, in Spain and in northern Italy, professional swordsmen were at various times allowed to form themselves into recognized or at least tolerated associations.
In England “swordmen” had been looked upon with especial disfavour by the powers that were, until Henry VIII., who was a great lover of all manly exercises, found it likewise advisable to turn their obnoxious existence to a disciplined and profitable channel by regularizing their position. ”

“ For it must be remembered that the evolution of the forms of the sword and of the theories concerning its most efficient use are closely connected. It is, in fact, sometimes difficult to decide whether the change in the shape of the weapon was the result of a development of a theory ”

“ It is still more curious to note that, in order to fit himself to meet what was an illegal but aristocratic obligation, the gallant of those days had to appeal to a class of men hitherto little considered: to those plebeian adepts, in fact, who for generations had cultivated skill in the use of hand weapons, on foot and without armour. ”

“ Some even maintain that a few weeks’ special work in that restricted—very restricted—play, which alone can be considered safe on the field of honour, will produce as good a practical swordsman as any who have walked the schools for years. ”

“ They deal with the methods of carrying out single combats on foot, with any of the most generally accepted weapons—long sword and short sword, dagger and every kind of knives, mace, long and short staff, axes, &c.,—and with the tricks of wrestling recommendable therefor. Among the most comprehensive in their scope may be mentioned Il Fior di battaglia di Maestro Fiore dei Liberi da Premariaco; a work which, although illustrated with truly Italian taste and grace, shows, as far as its fighting style is concerned, unmistakable marks of German influence. ”

“ Be that as it may, there is no doubt that towards the end of the 16th century there were many free-lances in the field of arms who professed to teach, in exchange for much gold, strokes that were not to be parried. ”