Summary

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Second Evening

As an adversary, if you find his play dangerous, without being pleasant to the eye, try to combine both advantages; perhaps he may be induced to imitate you.
The student of arms should at once be encouraged by the amplest liberty in choosing the style which suits him best. You will see it dawn during the first hour after he has held a sword in hand, and it is so little possible for one man to take the just measure of another man! How often we confound with wild hobbies and eccentricities that which does not satisfy our ideas, although it has been founded upon the truest science
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Second Evening

The Neapolitan fencing, twin sister of the Sicilian, but less fond of movement; using the weapon and showing the gravity of the Spaniard; with its peculiar guard, based upon the principles of animal mechanics; with all the concentration of purpose and the finesse mixed with the lightness of spirits proper to an action that represents sport and combat; this style proceeds with the greatest economy of force, of space, and of measure; it never makes a pass nor comes to a parry without studied foresight and the conviction of success ...
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Second Evening

The national Sicilian style, fiery as its own Etna, fecund of ideas as its soil, brisk as its air, with a more workmanlike guard than the Italian, and with the Spanish blade, adds to the agile movements of the French school more subtlety and more com- binations than all the other systems; its cautious and tortuous lines of deception converge upon the main objects of self- defence and of disabling the adversary.
Source: Wikisource

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