Summary

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Seventh Evening

If some fatality forces you into the field, sword in hand, your victory must not give rise to the shadow of a question. The thrust which prostrates your adversary must be loyal as the bosom which he presents to you. I am not even certain that a friend of mine was justified in looking fixedly at the low lines of his antagonist, and then by a flip of the point, a sudden jerk of the hand, wounding him in the fingers. But actions must be measured by results, and as nothing more serious than first blood occurred the coup de Jarnac easily passed off.
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Seventh Evening

The habitues cross ewords, fall on guard, and proceed without reflection to heap feint upon feint, pass upon pass, thrust upon thrust, attack upon attack, parry upon parry. I judge them at once. They may have rapidity of hand and fineness of execution, but only the half the man, the so-called physical half, is engaged in the fray. It is inordinately rare to find a pupil who has taught himself (for the masters do not teach what we call malice) to keep out of measure, now refusing to give his blade, then giving it suddenly and oppressing that of his adversary with confidence and resolution
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Seventh Evening

In the world where we live there is a host of things which lie upon the debateable borderland, the frontier line between right and wrong, which are not cognisable by the law courts, but which are not the less subject to trial by public opinion. I knew a man who killed another in a duel by dropping his eword and looking behind the adversary as if the police were coming. The opponent fell into the trap, and received a thrust which caused his death within an hour.
Source: Wikisource

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