Summary

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Eighth Evening

The light demands all your sagacity. The best position for the combatant, with sword as well as with pistol, is to stand against a dull foreground which does not define and throw out his figure. Never let the sun or the glare fall upon his face; it makes the blades sparkle, renders the coup d'oeil uncertain, and inevitably results in hesitation.
Remember that we fight with the look as well as with the sword. The look is thought; it warns us of danger, and it instinctively points out the adversary's weak side.
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Eighth Evening

You wish me, in fact, to consider fencing with the point of personal utility, which naturally follows the assault, and which puts the colophon upon the art of arms?
" We do."
I obey. The duel on one side is an assault composed of a series of passes and parries between men who are accustomed to the exercise of arms, in different degrees, it is true, but still proceeding after tolerably regular principles. On the other hand, it is a serious encounter with points which threaten one or two lives. A single home-thrust only is wanted, no matter how, no matter where, rightly or wrongly delivered.
Source: Wikisource

Portrait of Richard Francis Burton Richard Francis Burton The Sentiment of the Sword — The Eighth Evening

It is no longer a play in which pupils seek to display their brilliant science, a struggle of address in which you expose yourself voluntarily to be touched, perhaps twice or thrice, and thus inspire your enemy with a confidence which causes you to triumph in the end. We are far from the peaceful trial of strength executed under the master's eye, according to the rules of art and with arms of courtesy.
Source: Wikisource

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