Eleanor Hallowell Abbott

Eleanor Hallowell Abbott

Summary

Portrait of Eleanor Hallowell Abbott Eleanor Hallowell Abbott Little Eve Edgarton (1914)

Poignantly from the forest he heard Eve Edgarton's voice calling out into the night. "Come—Mother's—horse! Come—Mother's—horse H—o—o, hoo! Come—come—come!" Softly above the crackle of twigs, the thud of a hoof, the creak of a saddle, he sensed the long, tremulous, answering whinny. Then almost like a silver apparition the girl's figure and the horse's seemed to merge together before him in the moonlight.
"Well—of—all—things!" stammered Barton.
"Oh, the horse is all right. I thought he'd stay 'round," called the girl.
Source: Gutenberg

Portrait of Eleanor Hallowell Abbott Eleanor Hallowell Abbott Little Eve Edgarton (1914)

A face isn't meant to be a living-room, anyway, Barton, but just a piazza where the seething, preoccupied soul can dash out now and then to bask in the breeze and refreshment of sympathy and appreciation. Surely then—it's no particular personal glory to you that your friend Miss Von Eaton's energy cavorts perpetually in the gold of her hair or the blue of her eyes, because rain or shine, congeniality or noncongeniality, her energy hasn't any other place to go.
Source: Gutenberg

Portrait of Eleanor Hallowell Abbott Eleanor Hallowell Abbott Little Eve Edgarton (1914)

Oh, ye gods, Barton! If a girl interests you at thirty you'll be utterly mad about her when she's forty—fifty—sixty! If she's merry at thirty, if she's ardent, if she's tender, it's her own established merriment, it's her own irreducible ardor, it's her—Why, man alive! Why—why—"
"Oh, for Heaven's sake!" gasped Barton. "Whoa there! Go slow! How in creation do you expect anybody to follow you?"
"Follow me? Follow me?" mused the Older Man perplexedly. Staring very hard at Barton, he took the opportunity to swallow rather loudly once or twice.
Source: Gutenberg

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