Elisabeth Sanxay Holding

Elisabeth Sanxay Holding

Summary

Portrait of Elisabeth Sanxay Holding Elisabeth Sanxay Holding Out of the Woods (1923)

Her changing humors were so marked that Aunt Amy was gravely perturbed. She felt that Ethel was becoming “eccentric,” which was the worst thing any one could be, and she attributed it all to this annoying obsession with singing. In all good faith, she did what she thought best for the girl—she stopped her lessons.
Ethel wept and stormed and entreated and argued until she was almost ill, but without moving Aunt Amy.
“No!” that lady said firmly. “If you’ll put all that nonsense out of your head, and lead a normal, sensible life like other girls, I’ll let you take up singing again in a year.”
Source: Gutenberg

Portrait of Elisabeth Sanxay Holding Elisabeth Sanxay Holding Out of the Woods (1923)

She was thinking, trying to understand.
“You are still always thinking of the singing?” she asked softly.
Ethel’s face flushed, and her young mouth set in a harsh line.
“I’m not going to listen to any more lectures,” she thought. “No one understands. No one ever will!”
“This young man is a musician?” her grandmother asked.
“Yes, in a way,” said Ethel. “Isn’t the country pretty at this time of the year, grandmother?”
The old lady looked out of the window at the rapidly darkening sky, against which the trees stood out as black as ink.
Source: Gutenberg

Portrait of Elisabeth Sanxay Holding Elisabeth Sanxay Holding Out of the Woods (1923)

She hoped and believed that within a year’s time such a pretty and delightful girl would surely find something better to think about.
Ethel was helpless. She was exquisitely dressed, and she lived in great comfort and luxury, but she hadn’t a penny of her own to pay for lessons.
Artists, however—even young and undeveloped ones—are very hard to deal with, because they will not give up and be sensible. Instead of resigning herself to doing without what she wanted, Ethel did nothing but think how she could get at least a part of it.
Source: Gutenberg

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