Elisabeth Sanxay Holding

Biographical details

Portrait of Elisabeth Sanxay Holding Elisabeth Sanxay Holding Rosaleen among the artists (1921)

He was pleased enough with this romance with Rosaleen. This was quite as good as anything in books. Only, to be really perfect, love should have been mixed up with peril, with terror, with gallant rescues. It should have been a drama, and it was nothing but an emotion. He was still so young that he could not imagine death; it seemed to him inevitable that he should live and that Rosaleen should live, until they were old—granted, of course, the absurd premise that young people really do become old. He saw no shadow over life, no fear of change or loss.
Source: Gutenberg

Portrait of Elisabeth Sanxay Holding Elisabeth Sanxay Holding The unlit lamp (1922)

I want to be alive!”
There was for once no solace for her in that dear garden; she closed the window and pulled down the blind, to shut away the dark and the troubling sounds; she sat down and clasped her trembling hands; she tried to see herself once more in the stream of life, let it be never so cold and violent. She thought of Andrée; nothing but pain in that thought. Poor young Andrée and her poor little baby! Poor Al! She thought of Edna, hiding under her tranquillity an unforgettable humiliation, of Bertie, with his gallant despair; of Gilbert, unaccountably forlorn.
Source: Gutenberg

Portrait of Elisabeth Sanxay Holding Elisabeth Sanxay Holding The collected stories of Elisabeth Sanxay Holding from Munsey's Magazine… (1928)

Champney went over to the crib and looked down at the child who lay there—the child who was her child, flesh of her flesh, and was yet another woman’s child. He was beautiful—more beautiful than any of her children had been. He lay there like a little prince. His face, olive-skinned and warmly flushed on the cheeks, wore a look of careless arrogance, his dark brows were level and haughty, his mouth was richly scornful; and yet, for all this pride of beauty, she could not help seeing the baby softness and innocence and helplessness of him.
Source: Gutenberg

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