Elisabeth Sanxay Holding,
Rosaleen among the artists
(1921)
“ He was pleased enough with this romance with Rosaleen. This was quite as good as anything in books. Only, to be really perfect, love should have been mixed up with peril, with terror, with gallant rescues. It should have been a drama, and it was nothing but an emotion. He was still so young that he could not imagine death; it seemed to him inevitable that he should live and that Rosaleen should live, until they were old—granted, of course, the absurd premise that young people really do become old. He saw no shadow over life, no fear of change or loss. ”
