Summary

Portrait of Eliza Davis Aria Eliza Davis Aria Costume: Fanciful, Historical, and Theatrical… (1906)

Mystic in its simple grandeur is the dress of an Armenian bride, consisting of a long trailing gown of thick silk, richly interwoven with gold, held at the waist by a golden girdle, and opening down the front to show a petticoat of a contrasting colour. On the head is a wreath of white flowers, overspread by a veil of misty white, which falls to the ground above a shower of glittering gold streamers.
Source: Wikisource

Portrait of Eliza Davis Aria Eliza Davis Aria Costume: Fanciful, Historical, and Theatrical… (1906)

But the most interesting of all the garbs of convention, because the most supremely personal, is the bridal costume, dedicated primarily to white, and permitted to enjoy the distinctions of silver or lace decoration.
Under ordinary conditions the widow who re-marries, even as the mother of a bride, finds herself tempted to the paths of grey, and only occasionally lapses into the more triumphant glories of violet and pale blue and cream colour; and with the present fashion of enshrouding the hat or toque with a pendent veil, she may confidently share the grace of drapery with the virgin bride.
Source: Wikisource

Portrait of Eliza Davis Aria Eliza Davis Aria Costume: Fanciful, Historical, and Theatrical… (1906)

When the sorrow dwindled to extinction, the remnants of the garment might well be bestowed on some very poor widow whose woe, mitigated or not, would inevitably rejoice at the chance of such elegant proclamation. But to return to my bride of Ægra, who enters upon her duties with much gravity and solemnity, going to the altar in a short black skirt, laced bodice, and hooded cloak, her sole ornament the nuptial band, which is bound round her fore-head and tied with ribbon at the back, while in her hands she carries her rosary and her veil.
Source: Wikisource

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