Elizabeth Eiloart

Once a Week (1864)

Summary

Elizabeth Eiloart,  Once a Week (1864)

“ In what points soever the two principal members of the Pyrus family may resemble each other, most unlike are they as regards the place they have held in the estimation of man, for while poetic fancy in different ages and far-severed climes has everywhere invested the apple with so many mystic charms, no extraneous associations diffuse a halo of borrowed glory around the neglected pear, no graceful legend plants it in celestial gardens, gives it to the guardianship of god or goddess, or links its name with the adventures of the daring heroes or loving nymphs of antiquity. ”
Source: Wikisource

Elizabeth Eiloart,  Once a Week (1863)

“ When perfectly fine, a melon should have no vacuity, a fact ascertainable by the sound given forth on gently knocking the exterior, and when cut the juice should not run forth in a stream, but only gently exude to gem the flesh with dew-like drops of moisture. Small melons, too, are generally better than large ones, as the treatment which fosters increase of size tends also to impair flavour; and the bulky giants of the race, produced by excessive manuring, are therefore rejected by good judges, who desire rather to gratify the palate than to please the eye. ”
Source: Wikisource

Elizabeth Eiloart,  Once a Week (1863)

“ In fine summer weather, when glasses can be left almost constantly open, the breeze may waft pollen from this blossom to that, or honey-seeking bees, brushing past the anthers of one, may bear off the golden dust, to deposit it again, just where it is needed, as they plunge among the stamens of another; and thus the flowers become fertilised, and the fruit will “set” naturally. Our melon-growers, however, rarely trust to Nature the fulfilment of so important a work, but mostly adopt the process imparted, as so wondrous a secret, by Crabbe’s “Peter Pratt:” ”
Source: Wikisource

Get perspective with Kwize: daily news enlightened by great literature