Summary

Portrait of Ellen N. La Motte Ellen N. La Motte Civilization: Tales of the Orient

The motor sinks nearly to the hubs in the blazing, glaring sands of the dry river bed, and many naked coolies are needed to push and pull it through the hot sands, and work it into the boat. In the glaring sun of noon, the broad river lies motionless, like a sheet of glowing steel. Children bathe in the river, and the sweating coolies dip their brown bodies in it, and the sun beats down pitiless. A junk gets loose from its moorings, and drifts down stream, stern first, on the slow current. Who cares? No one. It will beach itself presently, on a mud flat, and can be recovered towards evening.
Source: Gutenberg

Portrait of Ellen N. La Motte Ellen N. La Motte Civilization: Tales of the Orient

Walker would do everything himself, as far as possible. Only, he might have to send for the Bishop, if it became necessary, to identify——
Two nights later, the Bishop was reclining on the long chair on his verandah, while overhead the heavy punkah fans swayed to and fro, stirring the moist, warm air. Out in the harbour the lights gleamed fitfully, the lanterns on the bobbing sampans contrasting with the steadier beams of the big ships anchored in the roadway. The ships of the Orient, congregated from the Seven Seas, full of the mystery and romance of the East.
Source: Gutenberg

Portrait of Ellen N. La Motte Ellen N. La Motte Civilization: Tales of the Orient

Life is very easy in these countries. And with the coming of the sudden sunset of the Tropics, the evening fires are lighted in the compounds and there is gathering together, with song and laughter, rest and ease. So as life is very facile in the jungle, love of money is unknown. Why money—what can it mean? Why toil for something which one has no use for, cannot spend? Just enough, perhaps, to bargain with the white man for some simple need—to buy a water buffalo, maybe, for ploughing in the rice fields.
Source: Gutenberg

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