Summary

Engravings of Lions, Tigers, Panthers…

IV. The Tiger which marches in our procession, without an object before him to call forth emotion, possesses a calm character, combined with the resistless strength of that dreadful quadruped; whose very tranquillity, in his leisure sauntering, when no excitement is acting on his nerves, has an appalling effect.—His brow is clouded, though his claws are sheathed. There is a possibility of a dreadful storm which may not be far distant, and that is enough to stamp the Tiger’s character. None shall dare to arouse his energies, nor to encounter them when aroused.
Source: Gutenberg

Engravings of Lions, Tigers, Panthers…

So much in apology for using the licence of asserting that the heads of many of the Lions of Rubens rather resemble those of frowning old gentlemen decorated with Ramillies wigs; as if Nature’s journeymen had made manes, and not made them well. There is a profusion of flowing and curling hair, which seems rather to solicit the unguents of the perfumer, than to have endured the torrid heats of the desert, or the rough storms of the forest. The shag of a Lion’s mane is a very different sort of thing.
Source: Gutenberg

Engravings of Lions, Tigers, Panthers…

The two groups, when viewed together, seem very much to assist our perceptions of the capability of this animal of gentle, as well as of savage, expression.—They are contrasted, indeed, though without the direct opposition of violent brutal action, to calm repose: the eye being the chief seat of the difference. But neither the gentle, nor the more ferocious and malignant-looking, Panthers, or Tigers, will bear any comparison for commanding majesty of appearance with the regal Lion, whether in a calm or an excited state—as the vignette of our title-page is ready to bear witness.
Source: Gutenberg

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