Eric Walrond

Summary

Eric Walrond,  Tropic death (1926)

“ A wild, mad, hectic green—the green of young sugar canes. Up and down the gap, horses, donkeys, ring-horned goats, on the way to Bridgetown to be raced, tugged at their tethers, crazy to eat up Ella's sparrow grass. It tempted the oxen carting tremulous loads of salty sugar cane grown on the swampy seaside of Barbadoes—tempted sheep, oracular, voiceless, dog-shy sheep bewilderedly on the road to market—tempted hens frizzly with the pip, and leaping, lap-eared dogs. ”
Source: Gutenberg

Eric Walrond,  Tropic death (1926)

“ Under the statue masses of country blacks had come, drinking in the slow draughts of wind struggling up from the sea. City urchins, who thrived on pilfering sewers or ridding the streets of cow dung which they marketed as manure; beggars, black street corner fixtures, their bodies limp and juicy with the scourge of elephantiasis; cork-legged wayfarers, straw hats on their bowed crinkly heads; one-legged old black women vending cane juice and hot sauce. ”
Source: Gutenberg

Eric Walrond,  Tropic death (1926)

“ May the heavens consume you! Shut up, I say! Who cares whether it is seven o'clock—or eight o'clock—or nine o'clock? Let me be! The baby's got to eat, and you'd better begone, you're too noisy. Seven o'clock! Sing it to the birds, sing it to the canary, sing it to the winds. Winds can wake up the dead. Go try—bawl it to the winds! But I've got my own song, I've got my own tune. I don't want to hear you, shut up, I say."
All this in a tongue musical to Gerald, but the cries of the little boy and the pox on his face and the sores making a batter of his toes unforgettably moved him.
”
Source: Gutenberg

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