Ernest Gilliat-Smith

Summary

Ernest Gilliat-Smith The Story of Bruges

In the year 880, on the left bank of the Roya, a little higher up stream than the old bourg, the citizens of Bruges built for themselves a chapel, and dedicated it to St. Mary and St. Hilarius—a sufficiently humble structure, knit together like so many churches in the eight hundreds, of rudely-hewn beams and rough planks.
From this grain of mustard seed in after ages there sprang up a tree that is still the glory of Bruges—a stately shrine, adorned by a steeple, than which, in its grand simplicity, there is not one perhaps more lovely in the world.
Source: Gutenberg

Ernest Gilliat-Smith The Story of Bruges

His Court was one of the most brilliant in Christendom; thither flocked musicians, artists, men of letters, from all parts of Europe. His chief delight was to while away his leisure hours with them—in summer-time in the woody glades of Winendael, and in winter in the halls of his sumptuous palace at Bruges. It was thanks to his generous patronage that in days when every French town boasted a poet, in an age that was the age par excellence of French minstrelsy, this gentle art shone with the greatest éclat in Flanders and in Artois.
Source: Gutenberg

Ernest Gilliat-Smith The Story of Bruges

From Bruges, from Thorhout, from Furnes, from Courtrai, from Oudenburg, from Ypres, burghers came in by the thousand, and soon Robert the Frisian was at the head of a mighty host.
But Richilde and her allies had not been idle. FitzOsberne had summoned his cohorts from Normandy. Eustace had set his fighting men in battle array, all the chivalry of France was enrolled under Philip’s banner, and presently, from the height of his stronghold, Count Robert saw a huge, disorderly rabble, knee-deep in snow and sand, slowly wending its way through the plain stretched out before him.
Source: Gutenberg

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