Summary

Portrait of Ernest Ingersoll Ernest Ingersoll The Mentor: American Naturalists…

You cannot find what the poets find in the woods until you take the poet's heart to the woods. He sees Nature through a colored glass, sees it truthfully, but with an indescribable charm added, the aureole of the spirit. A tree, a cloud, a sunset, have no hidden meaning that the art of the poet is to unlock for us. Every poet shall interpret them differently, and interpret them rightly, because the soul is infinite. Nature is all things to men. The "light that never was on sea or land" is what the poet gives us, and is what we mean by the poetic interpretation of Nature.
Source: Gutenberg

Portrait of Ernest Ingersoll Ernest Ingersoll The Mentor: American Naturalists…

The true poet knows more about Nature than the naturalist because he carries her open secret in his heart. Eckerman could instruct Goethe in ornithology, but could not Goethe instruct Eckerman in the meaning and mystery of the bird?
It is the soul the poet interprets, not Nature. There is nothing in Nature but what the beholder supplies. Does the sculptor interpret the marble or his own ideal? Is the music in the instrument, or in the soul of the performer? Nature is a dead clod until you have breathed upon it with your own genius. You commence with your own soul, not with woods and waters
Source: Gutenberg

Portrait of Ernest Ingersoll Ernest Ingersoll The Mentor: American Naturalists…

The poet does not so much read in Nature's book—though he does this too—as write his own thoughts there; Nature is the page and he the type, and she takes the impression he gives. Of course the poet uses the truths of Nature also, and he establishes his right to them by bringing them home to us with a new and peculiar force—a quickening or kindling force. What science gives is melted in the fervent heat of the poet's passion, and comes back supplemented by his quality and genius. He gives more than he takes, always.
Source: Gutenberg

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