F. Scott Fitzgerald

F. Scott Fitzgerald

Summary

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald This Side of Paradise/Book One… (1920)

His face was cast in the same yellow wax as in the cafe, neither the dull, pasty color of a dead man—rather a sort of virile pallor—nor unhealthy, you'd have called it; but like a strong man who'd worked in a mine or done night shifts in a damp climate. Amory looked him over carefully and later he could have drawn him after a fashion, down to the merest details.
Source: Wikisource

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald This Side of Paradise/Book One… (1920)

Amory hesitated, glass in hand.
There was a minute while temptation crept over him like a warm wind, and his imagination turned to fire, and he took the glass from Phoebe's hand. That was all; for at the second that his decision came, he looked up and saw, ten yards from him, the man who had been in the cafe, and with his jump of astonishment the glass fell from his uplifted hand. There the man half sat, half leaned against a pile of pillows on the corner divan.
Source: Wikisource

Portrait of F. Scott Fitzgerald F. Scott Fitzgerald This Side of Paradise/Book One… (1920)

A personality is what you thought you were, what this Kerry and Sloane you tell me of evidently are. Personality is a physical matter almost entirely; it lowers the people it acts on—I've seen it vanish in a long sickness. But while a personality is active, it overrides 'the next thing.' Now a personage, on the other hand, gathers. He is never thought of apart from what he's done.
Source: Wikisource

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