Pallor

“ There are writers who regard the perpendicular lines of this style as an evidence of a decline in the art. We cannot agree with that opinion. The straight, continuous mullions of the Perpendicular are—combined with the rich and abundant ornaments of other portions of the buildings, as the spandrils enriched with shields, the finely-wrought and soaring canopies, and crocketed finials, the canopied buttresses, the groined roofs and fan-tracery of ceilings—a pleasure to the eye, when chastely and richly designed. ”

“ Its light is like unto a stone most precious, and the materials of its structure are most costly; the building of the wall is of jasper, the city and the street of pure gold, and the foundations of the wall adorned with all manner of precious stones,574 while the several gates are each of a single pearl,—the mingled symbols of brilliancy, glory, costliness, and beauty. ”

“ The massive green pavilion of summer, which this delicate vaulting of branch-work sustains, gives us another, more sumptuous, but perhaps not a greater beauty in the combination or substitution of form and mass for line composition. ”

“ Like a solid floor of grey mottled marble, this platform of cloud-land, as seen from above, stretched right across to the slopes on the far side of the valley, a floor level and motionless, fitted in with the cunning of some neat-jointed puzzle to the promontories and bays of the opposite. ”

“ So by the law of perspective, as we look up, we behold ridge below ridge of jewel- work resting on the golden columns, and glowing with transmitted light. The background, shutting in the court, is a screen of delicate metal work, the details standing out against the bright glare of day. ”

“ On either side innumerable vertical lines lead the eye upward from the richly decorated ground-panels to the gorgeous walls, which are of crystal, for the stone-work is seen only as the framing of the glass, as the division between the windows. ”

“ Such a pole is set before every house in which a boy has been born during the year, or where there are young boys, and some patriarchal households display a group of poles and a school of carp flying in the air. ”

“ Fig. 8.
hang a pail of water, by means of a stick, upon the side of a table" (fig. 8) . Now I have here a table, a piece of stick, and a pail, and the proposition is, how can that pail be hung to the edge of this table? It is to be done, and can you at all anticipate what arrangement I shall make to enable me to succeed? Why this. I take a stick, and put it in the pail between the bottom and the horizontal piece of wood, and thus give it a stiff handle, and there it is; and what is more, the more water I put into the pail the better it will hang. ”

“ You pass through the grand breadth and height of a squalid entrance-way, and perhaps see a range of dusky pillars, forming a sort of cloister round the court, and in the intervals, from pillar to pillar, are strewn fragments of antique statues, headless and legless torsos, and busts that have invariably lost—what it might be well if living men could lay aside in that unfragrant atmosphere—the nose. ”

“ Many had hung a noble field-glass about their shoulders, by a leather strap, that they might not miss the smallest details of the landscape, and several flourished Alpine sticks, as if they were contemplating a perilous clamber over cliffs and rocks. ”

“ Imagine a Person placed in the Center of a Plain, or Carpet; extended every Way beyond the Reach of the Eye. If in that Situation he was gradually elevated; the distant Parts of the Carpet woud seem to rise with him: and those Figures of the Pattern woud alone be distinguished, that lay immediately below the Eye: the more remote becoming dim and faint. The whole would put on the Form of a 53 concave Bowl ”

“ Fig. 56 shows the manner of holding the smooth plane in releasing the wedge, as well as when the cutting edge projects too much.
[35]
26. Planing First Surface True. —A true surface is one which is straight as to its length and width and which has its surface at the four corners in the same plane. Select for this first surface, which we shall call the face side, the better of the two broad surfaces. Knots, sap, wind, shakes, etc., should there be any, must be taken into account when passing judgment. Often the two sides are so nearly alike that there is little reason for choice. ”

“ You have a long walking-pole with a sharp end, you know, and as you feel yourself sliding,—it's as likely as not to be in a sitting posture,—you just take this and ram it into the snow before you, and there you are, stopped. ”

“ It is clear that the nature of the support must influence the slope of the heap, for, resting on a polished surface like a plate of glass, the slope is less than when supported on a rough surface, as a wooden floor. ”

“ With the larger ones we make islands and archipelagos on our floor while the floor is a sea, or we make a large island or a couple on the Venice pattern, or we pile the smaller on the larger to make hills when the floor is a level plain, or they roof in railway stations or serve as bridges, in such manner as I will presently illustrate. And these boards of ours pass into our next most important possession, which is our box of bricks. ”

“ Every picture is the representation, as before stated, of a vertical plate of glass, with what might be seen through it, drawn on its surface. Let a vertical plate of glass be taken, and wherever it be placed, whether the sun be at its side or at its centre, the reflection will always be found in a vertical line under the sun, parallel with the side of the glass. ”

“ In centre of the room is a pillar, having looking-glass all round without a visible line to mar the effect, which is exquisite, especially where it reflects that marvellous scenery so wondrously enchanting. ”

“ Flat, according to its derivation from the Anglo-Saxon flet, a floor, applies to a surface only, and, in the first and most usual sense, to a surface that is horizontal or level in all directions; a line may be level, a floor is flat; flat is also applied in a derived sense to any plane surface without irregularities or elevations, as a picture may be painted on the flat surface of a perpendicular wall. Plane applies only to a surface, and is used with more mathematical exactness than flat. ”

“ We ascended to the second story; then to the third; and viewed its pillars, which are of yellow, green, grey, and variegated stone, and of marble of various beautiful and resplendent colours; also its marble tablets, reaching from pillar to pillar, with marks of crosses still to be traced upon them: as they are likewise upon its beautiful pavement, and all its stones and marbles ”

“ If there are stakes drove into the ground on each side of the beds, about three feet high, with others in the centre about eight feet, having laths or hoops from the side to the centre, formed similar to the roof of a house, so that people may walk or sit under it, the canvass or awning being thin to admit of the light freely, the effect in the time of sunshine from the brilliancy of the colours is peculiarly gratifying. ”

“ Further, at intervals they [53] lay single stones which run through the entire thickness of the wall. These stones, which show at each end, are called διἁτονοι, and by their bonding powers they add very greatly to the solidity of the walls.
8. One who in accordance with these notes will take pains in selecting his method of construction, may count upon having something that will last. No walls made of rubble and finished with delicate beauty—no such walls can escape ruin as time goes on. ”

“ We will begin with the latter. Note, then, how the sloping line of the field cuts across the picture. This diagonal line is contrasted with the perpendicular sides of the picture, and with the upright direction of the figure of the man. It forms, however, another contrast; it divides the light from the dark. The sun has gone down behind the slope; so that, while the sky is still luminous with a lovely glow, the ground is in shadow, dreary and heavy looking. So, too, the figure of the man. The light is at his back, so that what we see of him is shrouded in gloom. ”

“ We interpret vertical lines as moving upward, partly because the eye moves upward in scanning them, partly because we ourselves move in lines of this general direction in going from the bottom to the top of a building. Even when we are at the top of a building we apprehend its vertical lines as rising rather than as descending, because we ourselves had to rise in order to get there. ”

“ The pole is just exactly what it sounds like, a greased pole, and at the top of it is a tiny flag which must be captured and brought down by the victorious climber who gets a very real prize. He deserves it! ”

“ A piece of white marble often forms the centre to some device; where the flooring in a garden happens to be uniform in colour, a pattern is formed by a sprinkling of sand, which seems to lie as a part of the flooring unmoved under a fresh blowing wind.... ”

“ These planks rise the height of the house, and to a drunken man have the appearance of fluted columns. To complete the illusion in the eyes of the drunken man, the planks are topped with wooden Ionic capitals, nailed on, and in, I may say, bas-relief. ”

“ In nearly all the art of the period under consideration the ground is divided into panels, or geometrical compartments—an arrangement whereby the artist whether working on vellum, metal, leather or stone was free to introduce any of the foregoing characteristics without marring the harmony and uniformity of the design. ”

“ Easy to see the marks; the floor is deep in dust, and the walls are thick with it. On floor, mark of several feet—confused in struggle, may articulate separately later on—one woman's—also trailing of long skirt. On walls marks of hands, fingers outspread, as if trying to grasp. Some of the long marks down the wall others across. ”

“ In this fashion I presently came out upon a larger and higher plateau, carpeted with a uniform, stunted undergrowth, and extending, as flat as a table, to the very edge of a sheer precipice, which rose from it to a height of three or four hundred feet—gnarled, naked rock, showing no vestige of vegetation. ”

“ Many have a pole at their side with a flag attached to it. One sees at a glance they must, though small, have cost large sums, as they are most solidly built of hewn stone, and have all more or less of ornamentation. ”

“ A scantling of wood placed on its edge will support a much greater weight than one placed on its side; so, in laying a floor, instead of laying all the boards on their sides, which would not be strong enough, or placing them all on their edges, which would use too much wood, the plan is to place on edge a sufficient number, and on these to lay the floor of boards on their sides. ”

“ For the holes made in the capitals through the openings of which are stretched the strings made of twisted hair, generally women's, or of sinew, are proportionate to the amount of weight in the stone which the ballista is intended to throw, and to the principle of mass, as in catapults the principle is that of the length of the arrow. ”

“ The heights descend by gradual slopes into the less elevated tracts on all sides, producing long, wavy lines, not only of conformation, but of tints blending in exquisite harmony, from the decided though monotonous colours of the foreground to the greys, blues, and dim purples of the far distance. ”

“ If you face a wall about twenty feet away, you can, without changing the position of your head, look at the left side or the right, at the top or bottom, or you can look at the four corners of the wall in succession. ”

“ If a vein or bed unveils itself on the flank of a mountain, it may be explored, according to the greater or less slope of its inclination, either by a longitudinal gallery opened in its mass, from the outcropping surface, or by a transverse gallery falling upon it in a certain point, from which either an oblong gallery or a sloping shaft may be opened. ”

“ So accustomed is the eye to vertical lines in tree trunks, tall buildings, and thousands of other examples that the upward eye movement in viewing an object, having a predominance of vertical elements, seemingly adds to its height. ”

“ The sixteen rooms of the polygon are roofed with glass, to let in the flood of light, and a few feet below the glass is another roofing, or awning, to soften its intensity and to mitigate the heat of the direct rays of the sun. ”

“ Painted walls, and walls hung with tapestries and leather, are not possible to many of us, but they are the most magnificent of wall treatments. I know a wonderful library with walls hung in squares of Spanish leather, a cold northern room that merits such a brilliant wall treatment. ”

“ Early in the day four tall poles are planted in the ground about a dozen feet apart, and so placed as to mark a square; about twenty feet from the ground a wooden floor is built between the poles. A few men who stand upon this platform direct everything. ”

“ A hundred feet front and a hundred high is about the style, and you go up three flights of stairs before you begin to come upon signs of occupancy. Everything is stone, and stone of the heaviest—floors, stairways, mantels, benches—everything. ”

“ The female figures which embrace them are not placed in the direction of their length, but in that of their breadth, so that one lies across near the entrance, or to the east, the head and arms toward the north, and the feet toward the lateral wall, or toward the south, and the other is in the bottom of the portico, equally across, and looking toward the first. ”