Summary

Portrait of F. Tennyson Jesse F. Tennyson Jesse The White Riband; Or, A Young Female's Folly

Creation was a-dancing, and she alone stood to be mocked at in a reeling world. This was the merry measure she had striven to join! She must have been mad indeed!
Turning blindly, she ran through the crowd that gave at her approach, and all day the dancing went on without her. The flutter of her blasphemous sash did not profane the sunlight in the streets of Bugletown, nor pollute with its passing the houses of the good wives. Like a swallow's wing, it had but flashed across the ordered ways and was gone.
Yet Loveday's ambition was, after all, fulfilled that day.
Source: Gutenberg

Portrait of F. Tennyson Jesse F. Tennyson Jesse The White Riband; Or, A Young Female's Folly

The body may be the objective of passion, but the quality itself is what is meant by the word. It is generated in the soul and may pour itself into strange vessels."
"Or even shower its ardours upon a piece of white riband?" cried Miss Le Pettit, with a titter.
"Shall we say upon Beauty itself?" corrected Mr. Constantine more gravely than he had yet spoken. Then, with a smile, he elaborated: "For as passion is in the soul, so is beauty in the heart, and hearts have differing vision. That was Loveday's desire.
Source: Gutenberg

Portrait of F. Tennyson Jesse F. Tennyson Jesse The White Riband; Or, A Young Female's Folly

Lying down on her rock, she told over with the rapture of a devotee the divine excellencies of Flora Le Pettit; her radiance, her swinging, shining curls, the wings that spread from her fair arms, the light that gleamed on her bright brow and in her glancing eyes, but it was not Flora, but Loveday, who danced before her mind's eye in white raiment, and held the sorrows of the South in her eyes and the joy of youth on her lips. Flora was the excuse for that new Loveday, as the beloved is ever the excuse for the raptures transmuting the lover.
Source: Gutenberg

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