Frances Theodora Parsons

Frances Theodora Parsons

Summary

Portrait of Frances Theodora Parsons Frances Theodora Parsons How to know the wild flowers (1893)

Few if any of our native plants add more to the beauty of the midsummer landscape than the milkweeds, and of this family no member is more satisfying to the color-craving eye than the gorgeous butterfly-weed, whose vivid flower-clusters flame from the dry sandy meadows with such luxuriance of growth as to seem almost tropical. Even in the tropics one hardly sees anything more brilliant than the great masses of color made by these flowers along some of our New England railways in July, while farther south they are said to grow even more profusely.
Source: Gutenberg

Portrait of Frances Theodora Parsons Frances Theodora Parsons How to know the wild flowers (1893)

By the middle of July our dry meadows are merry with black-eyed Susans, which are laughing from every corner and keeping up a gay midsummer carnival in company with the yellow lilies and brilliant milkweeds. They seem to revel in the long days of blazing sunlight, and are veritable salamanders among the flowers. Although now so common in our eastern fields they were first brought to us with clover-seed from the West, and are not altogether acceptable guests, as they bid fair to add another anxiety to the already harassed life of the New England farmer.
Source: Gutenberg

Portrait of Frances Theodora Parsons Frances Theodora Parsons How to know the wild flowers (1893)

Where a stream trails its sluggish length through the fields of midsummer, its way is oftentimes marked by the tall meadow rue, the feathery, graceful flower-clusters of which erect themselves serenely above the myriad blossoms which are making radiant the wet meadows at this season. For here, too, we may search for the purple flag and fringed orchis, the yellow meadow lily, the pink swamp milkweed, each charming in its way, but none with the cool chaste beauty of the meadow rue.
Source: Gutenberg

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