Summary

Portrait of Frank H. Spearman Frank H. Spearman Held for Orders: Being Stories of Railroad Life

When Bucks would roll a great white Pan-Handle yarn over his fresh linen shirt-front and down his cool clean white arms, one of them always bared to the elbow—sanding his points with the ash of a San Francisco cigar—and Neighbor would begin to heave from the middle up like a hippopotamus, and Callahan would laugh his whiskers full of dew, and Hailey would yell with delight, and the slaves in the next room would double up on the dead at the story, Blackburn would sit with his laugh all in a smile, but never a noise or a word.
Source: Gutenberg

Portrait of Frank H. Spearman Frank H. Spearman Held for Orders: Being Stories of Railroad Life

Not the lubberly jump of the hoboes that had worried the life out of him all summer, even when the cattlemen didn't bother. It was the swing of the sailor into the shrouds, of the Cossack into the saddle, of the yacht into the wind. It was like falling down or falling up or falling on—the grace of a mastery of gravitation—that was Shockley's swing on the footboard of the yard engine as it shot snorting past him.
"He's all right," muttered Callahan. It was enough.
A man who flipped a tender like that was not like to go very wrong even in that chaos of rails and ties and stringers and coal.
Source: Gutenberg

Portrait of Frank H. Spearman Frank H. Spearman Held for Orders: Being Stories of Railroad Life

A passenger train running through the cañon at night comes through with the far roll of a thousand drums, deepening into a rumble of thunder. Then out and over all comes the threatening purr of the straining engine breaking into a storm of exhausts, until like a rocket the headlight bursts streaming from the black walls, and Moore on the 811, or Mullen with the 818, or Hawksworth in the 1110, tear with a fury of alkali and a sweep of noise over the Butte switch, past caboose and flats and boxes and the 264 like fading light.
Source: Gutenberg

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