Frank Harris

“ Of all the personal influences which went to the moulding of Oscar Wilde's talent, that of Whistler, in my opinion, was the most important; Whistler taught him that men of genius stand apart and are laws unto themselves; showed him, too, that all qualities—singularity of appearance, wit, rudeness even, count doubly in a democracy. But neither his own talent nor the bold self-assertion learned from Whistler helped him to earn money; the conquest of London seemed further off and more improbable than ever. ”

“ He was standing silently by the wall.
"I've come to take you to lunch," I said to Oscar.
"But he cannot go out," cried Willie.
"Of course he can," I insisted, "I've come to take him."
"But where to?" asked Willie.
"Yes, Frank, where to?" repeated Oscar meekly.
"Anywhere you like," I said, "the Savoy if you like, the Cafe Royal for choice."
"Oh, Frank, I dare not," cried Oscar.
"No, no," cried Willie, "there would be a scandal; someone'll insult him and it would do harm; set people's backs up."
"Oh, Frank, I dare not," echoed Oscar.
"No one will insult him. ”

“ I asked, "any professor with a touch of the poet?"
He came to seriousness at once.
"There were two or three teachers, Frank," he replied, "greater than Mahaffy; teachers of the world as well as of Oxford. There was Ruskin for instance, who appealed to me intensely—a wonderful man and a most wonderful writer. A sort of exquisite romantic flower; like a violet filling the whole air with the ineffable perfume of belief. Ruskin has always seemed to me the Plato of England—a Prophet of the Good and True and Beautiful, who saw as Plato saw that the three are one perfect flower. ”

“ The artist who finds in Oscar Wilde a great and provocative subject for his art needs no argument to justify his choice. If the picture is a great and living portrait, the moralist will be satisfied: the dark shadows must all be there, as well as the high lights, and the effect must be to increase our tolerance and intensify our pity.
If on the other hand the portrait is ill-drawn or ill-painted, all the reasoning in the world and the praise of all the sycophants will not save the picture from contempt and the artist from censure. ”

“ He took the artist's view of life which Goethe was the first to state and indeed in youth had overstated with an astonishing persuasiveness: "the beautiful is more than the good," said Goethe; "for it includes the good."
It seemed to Oscar, as it had seemed to young Goethe, that "the extraordinary alone survives"; the extraordinary whether good or bad; he therefore sought after the extraordinary, and naturally enough often fell into the extravagant. But how stimulating it was in London, where sordid platitudes drip and drizzle all day long, to hear someone talking brilliant paradoxes. ”

“ To see those people coming into the box one after the other to witness against me makes me sick. The self-satisfied grin of the barristers, the pompous foolish judge with his thin lips and cunning eyes and hard jaw. Oh, it's terrible. I feel inclined to stretch out my hands and cry to them, 'Do what you will with me, in God's name, only do it quickly; cannot you see that I am worn out? If hatred gives you pleasure, indulge it.' They worry one, Frank, with ravening jaws, as dogs worry a rabbit. Yet they call themselves men. ”

“ Beardsley's precocity was simply marvellous. He seemed to have an intuitive understanding not only of his own art but of every art and craft, and it was some time before one realised that he attained this miraculous virtuosity by an absolute disdain for every other form of human endeavour. He knew nothing of the great general or millionaire or man of science, and he cared as little for them as for fishermen or 'bus-drivers. The current of his talent ran narrow between stone banks, so to speak; it was the bold assertion of it that interested Oscar. ”

“ Treat all things seriously and with grave dignity. Defend yourself as David would have defended his love for Jonathan. Make them all listen to you. I would undertake to get free with half your talent even if I were guilty; a resolution not to be beaten is always half the battle. . . . . Make your trial memorable from your entrance into the court to the decision of the jury. Use every opportunity and give your real character a chance to fight for you."
I spoke with tears in my eyes and rage in my heart.
"I will do my best, Frank," he said despondingly, "I will do my best. ”

“ Strange to say, Oscar always hated the illustrations and would not have the book in his house. His dislike even extended to the artist, and as Aubrey Beardsley was of easy and agreeable intercourse, the mutual repulsion deserves a word of explanation.
Aubrey Beardsley's genius had taken London by storm. At seventeen or eighteen this auburn-haired, blue-eyed, fragile looking youth had reached maturity with his astounding talent, a talent which would have given him position and wealth in any other country. In perfection of line his drawings were superior to anything we possess. ”

“ Modern art he felt should be an interpretation and not a representment of reality, and he taught the golden rule of the artist that the half is usually more expressive than the whole. He went about London preaching new schemes of decoration and another Renaissance of art. Had he only been a painter he would never have exercised an extraordinary influence; but he was a singularly interesting appearance as well and an admirable talker gifted with picturesque phrases and a most caustic wit.
Oscar sat at his feet and imbibed as much as he could of the new aesthetic gospel. ”

“ I showed them that sin with its curiosities widened the horizons of life. Prejudices and prohibitions are mere walls to imprison the soul. Indulgence may hurt the body, Frank, but nothing except suffering hurts the spirit; it is self-denial and abstinence that maim and deform the soul."
"Then they knew you as a great talker even at Oxford?" I asked in some surprise.
"Frank," he cried reprovingly, laughing at the same time delightfully, "I was a great talker at school. I did nothing at Trinity but talk, my reading was done at odd hours. I was the best talker ever seen in Oxford." ”

“ I recalled the fact that in all our talks I had never heard Oscar use a gross word. His mind, I said to myself, is like Spenser's, vowed away from coarseness and vulgarity: he's the most perfect intellectual companion in the world. He may have wanted to talk to the boys just to see what effect his talk would have on them. His vanity is greedy enough to desire even such applause as theirs. . . . . Of course, that was the explanation—vanity. My affection for him, tormented by doubt, had found at length a satisfactory solution. It was the artist in him, I said to myself, that wanted a model. ”

“ The lord, the millionaire and the genius have all the same reason for standing up for each other, and this reason is usually effective. Everyone knows that in England the law is emphatically a respecter of persons. It is not there to promote equality, much less is it the defender of the helpless, the weak and the poor; it is a rampart for the aristocracy and the rich, a whip in the hands of the strong. It is always used to increase the effect of natural and inherited inequality, and it is not directed by a high feeling of justice; but perverted by aristocratic prejudice and snobbishness ”

“ Men who console themselves in this way usually fall on someone else's feet and so did Oscar Wilde. At twenty-six years of age and curiously enough at the very moment of his insolent-bold challenge of the world with fantastic dress, he stooped to ask his mother for money, money which she could ill spare, though to do her justice she never wasted a second thought on money where her affections were concerned, and she not only loved Oscar but was proud of him. ”

“ I said, "and take a big draught of that deathless smiling courage of Socrates."
"Ah, Frank, how much more humane were the Greeks. They let his friends see him and talk to him by the hour, though he was condemned to death. There were no warders there to listen, no degrading conditions."
"Quite true," I cried, suddenly realising how much better Oscar Wilde would have been treated in Athens two thousand years ago. "Our progress is mainly change; we don't shed our cruelty; even Christ has not been able to humanise us." ”

“ The wars waged against the Mashonas and Matabeles were a doubtful good; but the plays of Oscar Wilde had already given many hours of innocent pleasure to thousands of persons, and were evidently destined to benefit tens of thousands in the future. Such a man is a benefactor of humanity in the best and truest sense, and deserves peculiar consideration.
To the society favourite the discredit of the trial with Lord Queensberry was in itself a punishment more than sufficient. Everyone knew when Oscar Wilde left the court that he left it a ruined and disgraced man. ”

“ The English are too self-absorbed to take much interest in their neighbours' affairs, too busy to care for abstract questions of right or wrong.
Before the trial of Oscar Wilde I still believed that in a criminal case rough justice would be done in England. The bias of an English judge, I said to myself, is always in favour of the accused. It is an honourable tradition of English procedure that even the Treasury barristers should state rather less than they can prove against the unfortunate person who is being attacked by all the power and authority of the State. ”

“ We should be the first charge on the state just as Socrates declared that he should be kept in the Prytaneum at the public expense.
"Don't talk to me, Frank, about the hardships of the poor. The hardships of
the poor are necessities, but talk to me of the hardships of men of genius, and
I could weep tears of blood. I was never so affected by any book in my life as
I was by the misery of Balzac's poet, Lucien de Rubempre."
Naturally this creed of an exaggerated individualism appealed peculiarly to the best set in London. ”

“ I used to think of resignation in a vague way as of something rather beautiful; ever since, I have thought of it with impatience: resignation is the courage of the irresolute. Oscar's obstinacy was the obverse of his weakness. It is astonishing how inertia rules some natures. The attraction of waiting and doing nothing is intense for those who live in thought and detest action. As we turned into Oakley Street, Oscar said to me:
"You are not angry with me, Frank?" ”

“ Another eager human soul on the threshold longing to find some suitable high work in the world, all unwitting of the fact that ideal strivings are everywhere despised and discouraged— jerry-built cottages for the million being the day's demand and not oratories or palaces of art or temples for the spirit.
Not the time for a "professor of aesthetics," one would say, and assuredly not the place. One wonders whether Zululand would not be more favourable for such a man than England. ”

“ It was a sort of "Jacob's Ladder" leading from the lowest strata of society to the very heavens and offering to ingenuous, youthful talent a career of infinite hope and unlimited ambition. This great power of the Roman Church in the middle-ages may well be compared to the influence exerted by those whom I have designated as Oscar Wilde's fuglemen in the England of today. The easiest way to success in London society is to be notorious in this sense. Whatever career one may have chosen, however humble one's birth, one is then certain of finding distinguished friends and impassioned advocates. ”