Summary

Charles Grolleau The Trial of Oscar Wilde, from the Shorthand Reports

I am the Love which dares not tell its name
“The Love referred to,” replied Wilde, “is that which exists between a man of mature years and a young man; the love of David and of Jonathan. It is the same love that Plato made the basis of his philosophy; it is that love which is sung in the Sonnets of Shakespeare and of Michael-Angelo; it is a profound spiritual affection, as pure as it is perfect. It is beautiful, pure and noble; it is intellectual, the love of a man possessing full experience of life, and of a young man full of all the joy and all the hope of the future.”
Source: Gutenberg

Charles Grolleau The Trial of Oscar Wilde, from the Shorthand Reports

Oscar Wilde, who wore his hair long like the esthete he was, was obliged to undergo the indignity of having it cut close, and wearing the sack-cloth suit bearing the broad-arrow mark of the convict. Thrust into a small narrow cell with only a bed, or rather a wooden plank in guise of a bed, for all his furniture,—a bed without a matress, and with a bolster made of wood, this talented man was made to pass the long weary months of his martyrdom.
Source: Gutenberg

Charles Grolleau The Trial of Oscar Wilde, from the Shorthand Reports

As soon as an idea overleaps the low-level of ordinary popular understanding, having ceased to drag behind it the ignoble stumps gathered in the swamps of middle-class morality, and seeks with strong, steadfast wing, to attain the lofty heights of Philosophy, Literature or Art, we at once stigmatize it as a paradox, because, unable ourselves to follow it into those regions which are inaccessible to us, through the weakness of our organs, and we make haste to scotch it and put it under ban by flinging after it curse-laden cries of blame and contempt.
Source: Gutenberg

Get perspective with Kwize: daily news enlightened by great literature