Frank Oliver Call

Frank Oliver Call

Summary

Portrait of Frank Oliver Call Frank Oliver Call Acanthus and Wild Grape

There is much beauty to be found in walking in beaten paths or rambling in fenced-in fields and woods, but perhaps one who sails the skies in an aeroplane may see visions and feel emotions that never come to those who wander on foot along the old paths of the woods and fields below.
But it seems to me that it matters little in what form a poem is cast so long as the form suits the subject, and does not hinder the freedom of the poet's thought and emotion. And I am old-fashioned enough to expect that beauty will be revealed as well.
Source: Gutenberg

Portrait of Frank Oliver Call Frank Oliver Call Acanthus and Wild Grape

Of a Greek temple, white against the sky,
Carved capitals on pillars rising high
Gleam like great blossoms in the noonday's glow.
Proudly each column in the stately row
Its crown of beauty wears; the sunbeams die
Among acanthus leaves that nestling lie
Where they were carved two thousand years ago.
Eternal Beauty, thou wilt not be bound
By time-forged fetters, but dost find a home
Where Gothic pillars rise acanthus-crowned
Beneath gray northern spires or southern dome,
Eternal Beauty, Everlasting Truth,
Thou hast the secret of undying youth.
THE OLD GODS
Old gods are dead
Source: Gutenberg

Portrait of Frank Oliver Call Frank Oliver Call Acanthus and Wild Grape

The lingering gloom from choir, nave and bay,
And a great minster's glory met our sight.
Blindly along life's cloister do we grope,
We seek a gate that leads to life immortal,
We see it loom before us dim and vast,
And doubt's dark shadow's veil the light of hope:
When lo, Death's hand flings wide the sombre portal,
And light unfading meets our gaze at last.
CATHEDRAL VESPERS
The gloom of night creeps down the shadowy choir,
But through the great rose-window's gorgeous bloom
Red shafts of sunset fall upon a tomb,
And makes the gray stone burn—a crimson pyre.
Source: Gutenberg

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