Frederic Remington

Frederic Remington

Summary

Portrait of Frederic Remington Frederic Remington The Way of an Indian

He sat alone on the rim-rocks of the bluffs overlooking the sunlit valley. To an unaccustomed eye from below he might have been a part of nature’s freaks among the sand rocks. The yellow grass sloped away from his feet mile after mile to the timber, and beyond that to the prismatic mountains. The variegated lodges of the Chis-chis-chash village dotted the plain near the sparse woods of the creek-bottom; pony herds stood quietly waving their tails against the flies or were driven hither and yon by the herdboys—giving variety to the tremendous sweep of the Western landscape.
Source: Gutenberg

Portrait of Frederic Remington Frederic Remington The Way of an Indian

The white man’s new rifle lay across his left arm, his painted robe dragged on the ground, his eagle-feather waved perpendicularly above the dried Bat’s skin, the sacred red paint of war bloodied his whole face, and a rope and a whip—symbols of his success with horses—dangled in his right hand, while behind him followed the smart war-pony, covered with vermilion hand-prints as thickly as the spots on a brook-trout.
Source: Gutenberg

Portrait of Frederic Remington Frederic Remington The Way of an Indian

I have your shadow under my wings. I can fly so fast and crooked that no one can catch up with me. No arrow can catch me, no bullet can find me, in my tricky flight. I have your shadow and I will fly about so fast that the spirit-wildcats and the spirit-birds and the stone giants cannot come up with me or your shadow, which I carry under my wings. Sit down here in the dark place under the cliffs and rest. Have no fear.” White Otter sat him down as directed, muffled in his robe. “Keep me safe, do not go away from me, ye little brown bat.
Source: Gutenberg

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