Frederick Orin Bartlett

Summary

Frederick Orin Bartlett,  The Prodigal Pro Tem (1910)

“ A man with an obtrusive arrangement of a large dress-suit case and much rattling of newspapers took the seat facing him. He would meet her, Barnes dreamed, in the sitting-room. She would wear her China silk with the polka dots in it. It would be at about sunset time, so that the gold in her hair would be more than ever in evidence as it always was when the sun took it slantwise. The ivory forehead would be flushed with the lightest crimson; her lips would be like damson preserves; and she would hold herself like a Venetian noblewoman. ”
Source: Gutenberg

Frederick Orin Bartlett,  The Prodigal Pro Tem (1910)

“ He had touched her arm just the fraction of a second. She looked towards the door, startled. She felt very uncomfortable now that she was alone with the one man. Instead of clarifying matters, he seemed to complicate them.
“You take Carl’s departure much to heart?” he asked.
“Because I feel very much at fault,” she replied.
She was looking out the window across the rows of bright flowers, across the green fields, to the horizon line. To Barnes she appeared like a painting by Rossetti. With her head uplifted, her eyes half closed, as though in weary confusion, she looked like the Beata Beatrix.
”
Source: Gutenberg

Frederick Orin Bartlett,  The Prodigal Pro Tem (1910)

“ You’ve fought for Art in fighting for her against Lord Dunnington and all his caddish tribe. Like any good artist, you’d sacrifice every round dollar to make her stand well before them. That isn’t business, it’s Art. It’s living up to your ideal against all the world.”
“But,” protested the father, “that isn’t painting pictures.”
“Lord forgive your blindness, Dad,” Barnes exclaimed. “Painting pictures is only one little way of expressing yourself. A man may be a great artist without ever having held a brush. A man may be a great artist in song, in verse, in prose, in life, even in business.
”
Source: Gutenberg

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