G. D. H. Cole

G. D. H. Cole

Summary

Portrait of G. D. H. Cole G. D. H. Cole The Brooklyn murders (1924)

Inspector Blaikie, when he left the Byron Club, was quite convinced that Walter Brooklyn was the murderer. Not merely one of the murderers, but the murderer of both men. The evidence against Prinsep he was more than ever inclined to discount in face of the impression which Walter Brooklyn had made upon him. Not only the man’s manner, but even more his physique, had convinced the inspector of his guilt. Here at least was a man who combined great physical strength with an obviously ungovernable temper—just the combination of qualities which seemed most clearly to fit the case.
Source: Gutenberg

Portrait of G. D. H. Cole G. D. H. Cole The Brooklyn murders (1924)

The Piccadilly Theatre was not only George Brooklyn’s masterpiece: it was, structurally, acoustically, visually, for comfort, in short in every way, the finest theatre in the world. It was also the best paying theatre. And, the old man said, if in his day he had been the finest actor, so was George’s wife still the finest actress, if only she would not waste on domesticity the gift that was meant for mankind. For Mrs. George Brooklyn, as Isabelle Raven, had been the star of the Piccadilly Theatre until she had married its designer and quitted the stage, sorely against Sir Vernon’s will.
Source: Gutenberg

Portrait of G. D. H. Cole G. D. H. Cole The Brooklyn murders (1924)

She had given way; but she must pull herself together. Sir Vernon, old and weak as he was, must be told the news; and she must tell him. She must tell him at once, lest tidings should break on him suddenly from some other quarter. Already the police were probably in the house. With a powerful effort, Joan forced herself to be calm. Drying her eyes, she stood upright, and looked at herself in the glass. She would need all her power to break the news to the old man whom she loved—the old man who had loved John Prinsep far more than he loved her.
Source: Gutenberg

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