Summary

G. G. Fairfield Genevra; or, the history of a portrait (1851)

I see that, Genevra. I am certain that you have heard from envious tongues, every thing that is bad concerning me,—that I am a roué; a gambler; a worthless, reckless man of fashion. My faults I do not pretend to conceal. Not to acknowledge an error, is only worthy of a knave or a fool. I trust I am not either. Sit nearer me;—let me hold your hand and see my eyes riding on the balls of yours. Now I will begin. I will go back in imagination—thank God I am not obliged to do it in reality—to childhood.’
Source: Gutenberg

G. G. Fairfield Genevra; or, the history of a portrait (1851)

One evening Raphael had fallen asleep on a sofa, after creeping about on the floor till sleep overcame him. His pretty mouth, like a blooming rose-bud, was half open, showing two new teeth, and his long white robe swept along the sofa as he lay;—as I sat near him, listening to his gentle breathing, I heard a light step on the carpet, and turning, saw the count. He sat down on the sofa, at the feet of Raphael, and looking at him, said:
“How sweetly he slumbers; how innocent is the sleep of a child.”
“Yes, their unsuspicious innocence is a charming attribute which they soon lose.”
Source: Gutenberg

G. G. Fairfield Genevra; or, the history of a portrait (1851)

Consider, what happiness could I feel in doing anything that could reflect upon my character, hitherto so unblemished? What joy could I experience in a future clouded with shame? How differently should I regard you from that calm-abiding sentiment of security with which a wife regards her husband? What a tempest of emotions would succeed the happy quiet I have always enjoyed! And can you wish me to change even the uncertain life I now lead for such a scene? Depend upon it, dear count, we are better as we are. The feelings we now entertain for each other are pure
Source: Gutenberg

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