Garet Garrett

Garet Garrett

Summary

Portrait of Garet Garrett Garet Garrett The Driver

In 1894 they were mad about money,—not about the use, possession and distribution of it, but as to the color of it, whether it should be silver,—that is to say, white like the symbol of those old worshippers of the masculine faculty, or gold,—that is, red inclining to yellow, as was the symbol of those who in the dimness of human history adored the feminine faculty.
Source: Gutenberg

Portrait of Garet Garrett Garet Garrett The Driver

For three hours he walked about talking railroads,—how they had got built so badly in the first place, why so many were bankrupt, errors of policy, capital cost, upkeep, the relative merits of different kinds of equipment, new lines of development, problems of operation. For this was the stuff of his dreams. He devoured it. The idea of a railroad as a means to power filled the whole of his imagination. It was man’s most dynamic tool.
Source: Gutenberg

Portrait of Garet Garrett Garet Garrett The Driver

Beyond was that to which all this hubbub appertained. The city!... Sudden epic!... Man’s forethought of escape ... his refuge ... his self-overwhelming integration. Anything may happen in a city. Career is there, success is there, failure, anguish, horror, women, hell, and heaven. One has the sense of moral fibres loosening. Lust of conquest stirs. The spirit of adventure flames. A city is a tilting field. Unknown, self-named, anyone may enter, cast his challenge where he will, and take the consequences. The penalties are worse than fatal. The rewards are what you will.
New York!”
Source: Gutenberg

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