Summary

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — VI. THE MYSTERIOUS HAND (1914)

Nothing would have been easier than for someone who could open the door to stretch an arm and place the infernal machine among the wild flowers, above all, as could easily be believed, if he had waited for that treachery until the heavy breathing of the general told them outside that he was fast asleep, and if, looking through the key-hole, he had made sure Matrena was occupied in her own chamber. Rouletabille, at the threshold, glided to one side, out of the line of view from the hole, and got down on all fours.
Source: Wikisource

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — VI. THE MYSTERIOUS HAND (1914)

Matrena demanded, astounded.
“I wish to prove to you by this absurd conclusion, madame, that it is necessary never—never, you understand? Never—to reason solely upon even the most evident external evidence when those seemingly-conclusive appearances are in conflict with certain moral truths that also are clear as the light of day. The light of day for me, madame, is that the general does not desire to commit suicide and, above all, that he would not choose the strange method of suicide by clockwork.
Source: Wikisource

Portrait of Gaston Leroux Gaston Leroux The Secret of the Night — VI. THE MYSTERIOUS HAND (1914)

As he listened to Natacha Rouletabille commenced to doubt and quake just as he had seen Matrena do. The more he looked into the nature of Natacha the dizzier he grew. What abysmal obscurities were there in her nature!
Nothing interesting happened during dinner. Several times, in spite of Rouletabille’s obvious impatience with her for doing it, Matrena went up to the general. She returned saying, “He is quiet. He doesn’t sleep. He doesn’t wish anything. He has asked me to prepare his narcotic. It is too bad. He has tried in vain, he cannot get along without it.”
Source: Wikisource

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