Summary

Portrait of Geoffrey Chaucer Geoffrey Chaucer Chaucer's Works, Volume 2 — Boethius and Troilus

In reading "Boece," we have often as it were to pause and look on while Chaucer has a desperate wrestle with a tough sentence; but though now he may appear to be down, with a victorious knee upon him, next moment he is on his feet again, disclaiming defeat in a gloss which makes us doubt whether his adversary had so much the best of it after all. But such strenuous endeavour, even when it is crowned with success, is strange in a writer one of whose chief charms is the delightful ease, the complete absence of effort, with which he says his best things.
Source: Gutenberg

Portrait of Geoffrey Chaucer Geoffrey Chaucer Chaucer's Works, Volume 2 — Boethius and Troilus

As Ten Brink has observed, we can here see as clearly as in any work of the middle ages what a high cultivation is requisite for the production of a good prose. Verse, and not prose, is the natural vehicle for the expression of every language in its infancy, and it is certainly not in prose that Chaucer's genius shews to best advantage. The restrictions of metre were indeed to him as silken fetters, while the freedom of prose only served to embarrass him
Source: Gutenberg

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