Geoffrey Chaucer

Geoffrey Chaucer

Summary

Portrait of Geoffrey Chaucer Geoffrey Chaucer Chaucer's Works (ed. Skeat) Vol… (1900)

I suspect that this old joke, for such it clearly is, arose in a very different way, viz. from a pun upon rebekke, a fiddle, and Rebekke, a married woman, from the mention of Rebecca in the marriage-service. For Chaucer himself notices the latter in E. 1704, which see. Observe that the form rebekke, as applied to the fiddle, is a corrupt one, though it is found in other languages. See rebebe in Godefroy's O. F. Dictionary, and rebec in Littré.
1378. Cause and wolde are dissyllabic; and brybe, to rob, is a verb. But the editors ignore such elementary facts.
Source: Wikisource

Portrait of Geoffrey Chaucer Geoffrey Chaucer Chaucer's Works (ed. Skeat) Vol… (1900)

The Devil is an Ass, i. 1. 16. But probably Skelton and Ben Jonson merely took the word from Chaucer. A ribybe was, properly, a two-stringed Moorish fiddle; see note to A. 3331. Gifford's note on the passage in Ben Jonson, says:—'Ribibe, together with its synonym rebeck, is merely a cant term for an old woman. A ribibe, the reader knows, is a rude kind of a fiddle, and the allusion is, probably, to the inharmonious nature of its sounds.' Halliwell suggests some (improbable) confusion between vetula and vitula.
Source: Wikisource

Portrait of Geoffrey Chaucer Geoffrey Chaucer Chaucer's Works (ed. Skeat) Vol… (1900)

The friar does not scruple to make an invidious use of this subject at the expense of the parochial clergy, because, being obliged by his rule to gain his livelihood by begging, he had no interest in tithes.'—Bell.
1317. Alluding to the shape of the bishop's crosier. In P. Plowman, C. xi. 92, the crosier is described as having a hook at one end, by which he draws men back to a good life, and a spike at the other, which he uses against hardened offenders. On the crosier, see Rock, Church of Our Fathers, ii. 181. The bishop dealt with such offenders as were contumacious to the archdeacon.
Source: Wikisource

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