Summary

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book I, Chapter VIII (1881)

She cultivated her mind by high reading and high thinking as far as she could. As to the cultivation of her heart, the acting manager taught her that the secret of that art was love. Now it happened that the acting manager, though pleasant-looking and good-natured, was by no means clever, provident, or capable of resisting temptation. Madge never could make up her mind whether he had entangled her or she him. In truth love entangled them both; and Madge found that love suited her excellently.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book I, Chapter VIII (1881)

Simpson, shortly, "I don't need them."
Jack left the room slowly as if he had forgotten her. Meanwhile Mr. Brailsford was denouncing him to Herbert. "From the moment I first saw him," he said, "I felt an instinctive antipathy to him. I have never seen a worse face, or met with a worse nature."
"I certainly do not like him," said Herbert. "He has taken up an art as a trade, and knows nothing of the trials of a true artist's career. No doubts of himself; no aspirations to suggest them; nothing but a stubborn narrow self-sufficiency.
Source: Wikisource

Portrait of George Bernard Shaw George Bernard Shaw Love Among the Artists — Book I, Chapter VIII (1881)

She appeared as the player queen in Hamlet, the lady-in-waiting in Macbeth, and the widow of King Edward IV, and began to feel for the first time a certain respect for the silently listening, earnest audiences that crowded the house. It was the first dim Stirring in her of a sense that her relation as an actress to the people was above all her other relations. If the tragedian had felt this between the audience and the company of which he was a part, he might have inspired them to work all together with a will to realize the plays to the people.
Source: Wikisource

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