Summary

Portrait of George Eliot George Eliot The Mill on the Floss — Book 5… (1860)

If I meet you by chance, there is no concealment in that?"
It is the moment when our resolution seems about to become irrevocable–when the fatal iron gates are about to close upon us–that tests our strength. Then, after hours of clear reasoning and firm conviction, we snatch at any sophistry that will nullify our long struggles, and bring us the defeat that we love better than victory.
Maggie felt her heart leap at this subterfuge of Philip's, and there passed over her face that almost imperceptible shock which accompanies any relief.
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 5… (1860)

The temptations of beauty are much dwelt upon, but I fancy they only bear the same relation to those of ugliness, as the temptation to excess at a feast, where the delights are varied for eye and ear as well as palate, bears to the temptations that assail the desperation of hunger. Does not the Hunger Tower stand as the type of the utmost trial to what is human in us?
Philip had never been soothed by that mother's love which flows out to us in the greater abundance because our need is greater, which clings to us the more tenderly because we are the less likely to be winners in the game of life
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 5… (1860)

It is mere cowardice to seek safety in negations. No character becomes strong in that way. You will be thrown into the world some day, and then every rational satisfaction of your nature that you deny now will assault you like a savage appetite."
Maggie started and paused, looking at Philip with alarm in her face.
"Philip, how dare you shake me in this way? You are a tempter."
"No, I am not; but love gives insight, Maggie, and insight often gives foreboding.
Source: Wikisource

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