Summary

Portrait of George Eliot George Eliot The Mill on the Floss — Book 6… (1860)

She was looking at the tier of geraniums as she spoke, and Stephen made no answer; but he was looking at her; and does not a supreme poet blend light and sound into one, calling darkness mute, and light eloquent? Something strangely powerful there was in the light of Stephen's long gaze, for it made Maggie's face turn toward it and look upward at it, slowly, like a flower at the ascending brightness. And they walked unsteadily on, without feeling that they were walking; without feeling anything but that long, grave, mutual gaze which has the solemnity belonging to all deep human passion.
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 6… (1860)

Lucy has not told you, perhaps?"
"Then the future will never join on to the past again, Maggie? That book is quite closed?"
The gray eyes that had so often looked up at her with entreating worship, looked up at her now, with a last struggling ray of hope in them, and Maggie met them with her large sincere gaze.
"That book never will be closed, Philip," she said, with grave sadness; "I desire no future that will break the ties of the past. But the tie to my brother is one of the strongest. I can do nothing willingly that will divide me always from him."
Source: Wikisource

Portrait of George Eliot George Eliot The Mill on the Floss — Book 6… (1860)

They sat hand in hand without looking at each other or speaking for a few minutes; in Maggie's mind the first scenes of love and parting were more present than the actual moment, and she was looking at Philip in the Red Deeps.
Philip felt that he ought to have been thoroughly happy in that answer of hers; she was as open and transparent as a rock-pool. Why was he not thoroughly happy? Jealousy is never satisfied with anything short of an omniscience that would detect the subtlest fold of the heart.
Source: Wikisource

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