Summary

Portrait of George Eliot George Eliot,  The Mill on the Floss — Book 6… (1860)

“ But at last she heard the word "dearest" uttered in the softest tone of pained entreaty, like that of a patient who asks for something that ought to have been given without asking. She had never heard that word since the moments in the lane at Basset, when it had come from Stephen again and again, almost as involuntarily as if it had been an inarticulate cry. Philip could hear no word, but he had moved to the opposite side of the piano, and could see Maggie start and blush, raise her eyes an instant toward Stephen's face, but immediately look apprehensively toward himself. ”
Source: Wikisource

Portrait of George Eliot George Eliot,  The Mill on the Floss — Book 6… (1860)

“ This yielding to the idea of Stephen's suffering was more fatal than the other yielding, because it was less distinguishable from that sense of others' claims which was the moral basis of her resistance.
He felt all the relenting in her look and tone; it was heaven opening again. He moved to her side, and took her hand, leaning his elbow on the back of the boat, and saying nothing. He dreaded to utter another word, he dreaded to make another movement, that might provoke another reproach or denial from her. Life hung on her consent; everything else was hopeless, confused, sickening misery.
”
Source: Wikisource

Portrait of George Eliot George Eliot,  The Mill on the Floss — Book 6… (1860)

“ The unusual tone, the startling words, arrested Maggie's sob, and she sat quite still, wondering; as if Stephen might have seen some possibilities that would alter everything, and annul the wretched facts.
"See, Maggie, how everything has come without our seeking,–in spite of all our efforts. We never thought of being alone together again; it has all been done by others. See how the tide is carrying us out, away from all those unnatural bonds that we have been trying to make faster round us, and trying in vain.
”
Source: Wikisource

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