George Eliot,
The Mill on the Floss — Book 6…
(1860)
“ Maggie always tried in vain to go on with her work when music began. She tried harder than ever to-day; for the thought that Stephen knew how much she cared for his singing was one that no longer roused a merely playful resistance; and she knew, too, that it was his habit always to stand so that he could look at her. But it was of no use; she soon threw her work down, and all her intentions were lost in the vague state of emotion produced by the inspiring duet,–emotion that seemed to make her at once strong and weak; strong for all enjoyment, weak for all resistance. ”
