Summary

Portrait of George Grossmith George Grossmith A Society Clown: Reminiscences

There is one thing I always do—I always play my best to a bad house; for I think it a monstrous thing that an actor should slur through his work because the stalls are empty, and thereby punish those who have come for the fault of those who have not.
Mrs. Howard Paul impressed so strongly upon me the importance and the justness of playing one's best to a poor house, that I not only have never forgotten her injunction, but have endeavoured to abide by it.
To act without recognition, by applause, laughter, or tears, from an audience is galling to an actor
Source: Gutenberg

Portrait of George Grossmith George Grossmith A Society Clown: Reminiscences

A grand reception, I take it, is a reception, and not a concert. It is impossible to combine the two. I do not blame the people on these occasions for talking: they cannot even get into the room where the music is. Sometimes, by adopting the fashionable process of spitefully digging your way through people, you may get near the piano, and even a glimpse of the singer. Yes, there he is—a well-known drawing-room tenor, perhaps, who has received fifty guineas to sing a couple of songs. You see him simply indulging, apparently, in a dumb-show performance.
Source: Gutenberg

Portrait of George Grossmith George Grossmith A Society Clown: Reminiscences

Giving entertainments in private houses is a constant source of delight to me, and I feel both pleasure and pride in my work. I take sometimes enormous pains in writing and composing the sketches, and have often devoted several hours a day for a week or so in arranging and composing a musical illustration which will only occupy a few minutes in performance, and which may pass almost unnoticed by the majority of the audience. But when the connoisseur picks that illustration out from all the rest of the entertainment as his choice, I feel am I more than rewarded for my trouble.
Source: Gutenberg

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