Summary

Anonymous The Black Swan at Home and Abroad

The musical powers of Miss Greenfield are said to be of the most wonderful character. The Press in every place where she has appeared, in concert, are united in singing her praises. Those who have heard her, assure us that the compass of her voice is truly remarkable. It is said to embrace twenty-seven notes, reaching from the sonorous bass of a barytone, to a few notes above even the highest of Jenny Lind’s. With such powers, and with enthusiasm and perseverance corresponding to them, she is destined to take the highest rank in the divine science to which she has devoted herself.
Source: Gutenberg

Anonymous The Black Swan at Home and Abroad

Next we were favoured with a song in bass, accompanied with the piano—in which a male voice was so closely imitated as to defy the most acute ear to make it anything else; a male voice, however, highly refined—deeper, stronger, sweeter—than ever before fell upon our ear. The feelings of all present were delightfully stirred,—even the atmosphere in which we sat seemed trembling with emotion.
These were followed by other songs, enough to exhibit the vocal charms and operatic talent of this wonderful cantatrice, in all their strength and compass.
Source: Gutenberg

Anonymous The Black Swan at Home and Abroad

Miss Greenfield’s turn for singing now came, and there was profound attention. Her voice, with its keen, searching fire, its penetrating vibrant quality, its “timbre,” as the French have it, cut its way like a Damascus blade to the heart. It was the more touching from the occasional rusticities and artistic defects, which showed that she had received no culture from art. She sung the ballad, “Old folks at home,” giving one verse in the soprano, and another in the tenor voice.
Source: Gutenberg

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