Summary

Portrait of Henry A. Lytton Henry A. Lytton The Secrets of a Savoyard

The poor strolling player, with his honest heart breaking beneath the tinsel of folly, is a figure intensely human and intensely appealing, and no less so because of the mingling romance and pathos with which it is played. If Lytton had given us only this part, if he had shown us only in this case how deftly he can win both our laughter and tears, he would have achieved something that would be treasured amongst the tenderest, most fragrant memories of the modern stage.
Long may he remain to delight us in these enchanting operas of the Savoy!
Source: Gutenberg

Portrait of Henry A. Lytton Henry A. Lytton The Secrets of a Savoyard

Sullivan's music often reminds me of a beautiful garden. No attempt is there here to picture in bold orchestral strokes the frowning peaks, the expansive landscapes or the scenes of pomp and splendour. The canvas is ever a miniature one. Each melody is comparable to a lily or a daffodil—just as unpretentious and just as charming—while the whole has the fragrance of the flowers that bloom in the spring. We love this music because it soothes and delights. It is not too "intellectual."
Source: Gutenberg

Portrait of Henry A. Lytton Henry A. Lytton The Secrets of a Savoyard

If ever there was an enthusiast—and there is much in this book to show that he is as great an enthusiast in private life as he is while in front of the footlights—it is Harry Lytton.
The great enthusiasm of his life is Gilbert and Sullivan. Nobody who reads these reminiscences will have any doubt about that, for it shows itself on every page, and it is such an infectious enthusiasm that even we who love the operas already find ourselves loving them more, and agreeing with Lytton that they must not be tampered with and brought "up-to-date."
Source: Gutenberg

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