George Orwell

George Orwell

Summary

Portrait of George Orwell George Orwell,  Coming Up for Air (1939)

“ All round, of course, were the awful muck and litter of war, the sort of filthy sordid mess that's actually worse than a battlefield of corpses. Trees with boughs torn off them, old shell-holes that had partly filled up again, tin cans, turds, mud, weeds, clumps of rusty barbed wire with weeds growing through them. You know the feeling you had when you came out of the line. A stiffened feeling in all your joints, and inside you a kind of emptiness, a feeling that you'd never again have any interest in anything. It was partly fear and exhaustion but mainly boredom. ”
Source: Gutenberg

Portrait of George Orwell George Orwell,  Coming Up for Air (1939)

“ Sunday afternoons along the towpath, and the wind rippling the beds of rushes so that they swayed all together in great thick masses and looked somehow like a woman's hair. The endless June evenings, the path under the chestnut trees, an owl hooting somewhere and Elsie's body against me. It was a hot July that year. How we sweated in the shop, and how the cheese and the ground coffee smelt! And then the cool of the evening outside, the smell of night-stocks and pipe-tobacco in the lane behind the allotments, the soft dust underfoot, and the nightjars hawking after the cockchafers. ”
Source: Gutenberg

Portrait of George Orwell George Orwell,  Coming Up for Air (1939)

“ I used to lie awake on summer mornings thinking of the tales Joe had told me about fishing, how you mixed bread paste, how your float gives a bob and plunges under and you feel the rod bending and the fish tugging at the line. Is it any use talking about it, I wonder--the sort of fairy light that fish and fishing tackle have in a kid's eyes? Some kids feel the same about guns and shooting, some feel it about motor-bikes or aeroplanes or horses. It's not a thing that you can explain or rationalize, it's merely magic. ”
Source: Gutenberg

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