Summary

George S. Chappell My Northern Exposure: The Kawa at the Pole (1922)

About me in the gloom were vague bundles, Swank and Yalok, Frissell and Snak, Whinney and Lapatok, Wigmore and Klipitok, Triplett and Sausalito, silent, rapturous, oblivious. But a strange thing was happening.
All about the circumference of the great ice bowl, of which we were the center, rose trembling, blue flames. I could hear their fluttering hiss and crackle. Now they leaped higher, shooting out giant arms toward the zenith, waving lambent fingers, shivering, interlocking, melting. My companions, aroused, sat up and I could see their startled faces lighted by an unearthly light.
Source: Gutenberg

George S. Chappell My Northern Exposure: The Kawa at the Pole (1922)

The scene is the sub-polar apartment of the Kryptok hunter, hewn from the ageless ice.
Obviously a tender passage is in progress. The jaunty Swank, holding in his hand a bunch of lapland-larkspurs, which, it should be remarked, were completely out of season at the time, is not only saying it with flowers but with all the practised ardor of a grade A Romeo.
"You are the sweetest thing in the world," he whispers. "I have never met anyone like you in all my life."
The child hears and believes.
"You are so original!" she murmurs, bending her seal-like ear.
Source: Gutenberg

George S. Chappell My Northern Exposure: The Kawa at the Pole (1922)

We can not read the stories of these brave men, from the most successful to the least, without wondering what it was which actually drew them into the regions of eternal ice and snow. We can but suspect some great, unrevealed truth, some untold secret lying back of the veil of fog, shrouded in the darkness of the long Arctic night.
May we not well ask, "Has the entire truth been told? has the last word been spoken which will forever answer the natural question, why go there?"
It has remained for Walter E. Traprock to answer that question in no uncertain terms.
Source: Gutenberg

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