Summary

Gilbert J. French An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland…

A careful examination of the admirable engravings of the sculptured stones of Scotland, the ancient Irish crosses, and the curious monumental remains of the Isle of Man, together with many existing carved crosses in England and Wales, cannot fail to convince any unprejudiced observer that the beautiful interlaced ornamentation so lavishly employed on these sculptures derived its origin from the earlier decorations of that British basket-work which the Romans had learned to value and admire.
Source: Gutenberg

Gilbert J. French An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland…

A manufacture which was probably progressing for many centuries before the Romans invaded Britain, must necessarily have acquired a certain amount of refined ornament as a result of so much experience and practice. We have, indeed, direct evidence that the Romans greatly admired the ornamental baskets of the British, which were exported in large quantities to Rome, and became fashionable appendages among the extravagantly luxurious furniture of the imperial city.
Source: Gutenberg

Gilbert J. French An Attempt to Explain the Origin and Meaning of the Early Interlaced Ornamentation Found on the Sculptured Stones of Scotland…

Modern civilization does not now disdain to use for drags, dog-carts, and German waggons the same strong yet light and elastic materials which the ancient Briton probably employed for his formidable war-chariot; and our ancestors of the last century knew well the value of the stage-coach “basket” as a convenient means of conveyance over their rough roads.
Source: Gutenberg

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