Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Ball and the Cross — I: A Discussion Somewhat in the Air (1909)

But surely the cross is the lower development and the sphere the higher. After all it is easy enough to see what is really wrong with Wren's architectural arrangement."
"And what is that, pray?" inquired Michael, meekly.
"The cross is on top of the ball," said Professor Lucifer, simply. "That is surely wrong. The ball should be on top of the cross. The cross is a mere barbaric prop; the ball is perfection. The cross at its best is but the bitter tree of man's history; the ball is the rounded, the ripe and final fruit. And the fruit should be at the top of the tree, not at the bottom of it."
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Ball and the Cross — I: A Discussion Somewhat in the Air (1909)

And far, far below them the brown fog fell until it warmed into fire. Through the dense London atmosphere they could see below them the flaming London lights; lights which lay beneath them in squares and oblongs of fire. The fog and fire were mixed in a passionate vapour; you might say that the fog was drowning the flames; or you might say that the flames had set the fog on fire. Beside the ship and beneath it (for it swung just under the ball) , the immeasurable dome itself shot out and down into the dark like a combination of voiceless cataracts.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Ball and the Cross — I: A Discussion Somewhat in the Air (1909)

To this spasm of sanity and clarity in Michael's mind succeeded a spasm of the elemental terror; the terror of the animal in us which regards the whole universe as its enemy; which, when it is victorious, has no pity, and so, when it is defeated has no imaginable hope. Of that ten minutes of terror it is not possible to speak in human words.
Source: Wikisource

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