Summary

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Crimes of England — Chapter VII. The Midnight of Europe (1916)

To the naked pride of the new men nations simply were not. The struggling populations of two vast provinces were simply carried away like slaves into captivity, as after the sacking of some prehistoric town. France was fined for having pretended to be a nation; and the fine was planned to ruin her forever. Under the pressure of such impossible injustice France cried out to the Christian nations, one after another, and by name. Her last cry ended in a stillness like that which had encircled Denmark.
One man answered; one who had quarrelled with the French and their Emperor
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Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Crimes of England — Chapter VII. The Midnight of Europe (1916)

There are, as it were, valleys of history quite close to us, but hidden by the closer hills. One, as we have seen, is that fold in the soft Surrey hills where Cobbett sleeps with his still-born English Revolution. Another is under that height called The Spy of Italy, where a new Napoleon brought back the golden eagles against the black eagles of Austria. Yet that French adventure in support of the Italian insurrection was very important; we are only beginning to understand its importance.
Source: Wikisource

Portrait of Gilbert Keith Chesterton Gilbert Keith Chesterton The Crimes of England — Chapter VII. The Midnight of Europe (1916)

One man among the sons of men has been permitted to fulfil a courtly formula with awful and disastrous fidelity. Political and geographical ruin have written one last royal title across the sky; the loss of palace and capital and territory have but isolated and made evident the people that has not been lost; not laws but the love of exiles, not soil but the souls of men, still make certain that five true words shall yet be written in the corrupt and fanciful chronicles of mankind: "The King of the Belgians."
Source: Wikisource

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