Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

When Giorgio Vasari, with whom, as we have said, San Michele was on the most friendly terms, was last parting from him in Venice, the architect said to him, “I would have you to know, Messer Giorgio, that when I was at Monte-Fiascone in my youth, I fell in love, as it pleased fortune, with the wife of a stone-cutter; and she was, of a truth, very kindly disposed towards me, but no one ever knew any thing of that matter except myself. Now, I hear that this poor woman has been left a widow, with a daughter whom she desires to give in marriage, and who, as she declares, is mine own.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

At a word, this gate is a most admirable production, and well spoke the illustrious Signor Sforza Pallavicini, Captain General of the Venetian armies, when he affirmed that there was no fabric to be found in Europe which merited to be in any manner compared with this. But it was the last marvel performed by Michele San Michele, for he had only just completed the first range of columns above-described when he finished the course of his life.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Arrived in Rome, Michele studied the antiquities of ancient architecture with the most careful and zealous devotion, mea suring and examining all the buildings and other edifices minutely, insomuch that no long time had elapsed before he became known, and even of good repute, not in Rome only, but in all the districts lying around that capital. Moved by the fame thus early acquired, the people, of Orvieto invited our young architect to their city, where they made him superintendent of works to their so frequently cited cathedral, [1] allowing him a most honourable stipend.
Source: Wikisource

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