Summary

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Had Piero di Cosimo been less eccentric, had he imposed a more careful restraint on himself, during the course of his long life, the extent of that genius which he certainly possessed would have been made more clearly manifest, he might indeed have rendered himself truly admirable, whereas, by the absurdity and extravagance of his life he caused himself to be considered a mere fool. In the end, however, he did no harm to any one but himself, while his works have been very beneficial to the art.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

There is a joyous spirit of mirth and gladness manifest throughout all this company, which cannot but be admitted to prove extraordinary talent; and beyond all doubt Piero di Cosimo has given evidence in his works of the richest and most varied power of invention, with indubitable originality and a certain subtlety in the investigation of difficulties, which have rarely been exceeded.
Source: Wikisource

Giorgio Vasari Lives of the Most Excellent Painters… (1850)

Among these, not the most unimportant was Piero, son of a certain Lorenzo, who was a goldsmith, and godson of Cosimo Rosselli, after whom he was always called Piero di Cosimo, [1] nor was he ever known by any other name. And in truth, he to whom we are indebted for instruction, is no less entitled to our gratitude than he who has given us life, and merits indeed to be considered the true father, for the person to whom we owe the better part of our being is no less to be regarded than he from whom we simply derive existence.
Source: Wikisource

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